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221261 (in Polish) Burek, Edward (ed.) (2000 "Sonderaktion Krakau in Encyklopedia Krakowa, Kraków, PWM. 6 Destruction of Polish culture edit German occupation edit Policy edit Germany's policy toward the Polish nation and its culture evolved during the course of the war. 299 a b c Madajczyk 1970,. . 124 The most famous song of the soldiers fighting under the Allies was the Czerwone maki na Monte Cassino (The Red Poppies on Monte Cassino composed by Feliks

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Konarski and Alfred Schultz in 1944. 201202 a b Madajczyk 1970,. . 233 (in Polish) Tajna Organizacja Nauczycielska in wiem Encyklopedia. Odzyskiwanie zabytków, Tygodnik Przegląd,.

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15 The Germans hoped that a more lenient cultural policy would lessen unrest and weaken the Polish Resistance. The Germanization of place names prevailed. 96 It was perceived as a much more serious issue in the annexed territories, as it hindered the process of Germanization; involvement in the underground education in those territories was much more likely to result in a sentence to a concentration camp. 72 The Soviet propaganda-motivated support for Polish-language cultural activities, however, clashed with the official policy of Russification. 97 Hans Frank noted in 1944 that although Polish teachers were a "mortal enemy" of the German states, they could not all be disposed of immediately. The reasoning behind this policy was clearly articulated by a Nazi gauleiter : "In my district, any Pole who shows signs of intelligence will be shot." 22 As part of their program to suppress Polish culture, the German Nazis attempted to destroy Christianity in Poland. 179 Madajczyk 1970,. . Not to mention that politicians constantly make use. 29 Portrait of a Young Man, by Raphael,.

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106 Visual arts and music edit With the censorship of Polish theater (and the virtual end of the Polish radio and film industry 108 underground theaters were created, primarily in Warsaw and Kraków, with shows presented in various underground venues. 142148 a b c d e Madajczyk 1970,. . Door-to-door sale of books was banned, 10 and bookstoreswhich required a license to operate 10 were either emptied out or closed. 80 81 Other organizations were created locally; after 1940 they were increasingly subordinated and coordinated by the TON, working closely with the Underground's State Department of Culture and Education, which was created in autumn 1941 and headed by Czesław Wycech, creator of the TON. 126 Salmonowicz 1994,. . 10 The occupying powers destroyed Polish book collections, including the Sejm and Senate Library, the Przedziecki Estate Library, the Zamoyski Estate Library, the Central Military Library, and the Rapperswil Collection. 50 More than 80 of these losses were the direct result of purges rather than wartime conflict. Wstępny raport o stanie wiedzy (Losses of Libraries During World War II within the Polish Borders of 1945. Classes were held in Belorussian, Lithuanian and Ukrainian, with a new pro-Soviet curriculum. 185 Salmonowicz 1994,. . 89125 Piotrowski 1997,. . 107 Headed by Antoni Bohdziewicz, the Home Army 's Bureau of Information and Propaganda even created three newsreels and over 30,000 metres (98,425 ft) of film documenting the struggle. 10 Several propaganda films were shot in Polish, 10 although no Polish films were shown after 1943. Nevertheless, underground organizations and individuals in particular the. 115 Since the Germans also banned Polish sport activities, underground sport clubs were created; underground football matches and even tournaments were organized in Warsaw, Kraków and Poznań, although these were usually dispersed by the Germans. 99 The Polish underground also published booklets and leaflets from imaginary anti-Nazi German organizations aimed at spreading disinformation and lowering morale among the Germans. 43 Classes and schools were to be merged, Polish teachers dismissed, and the resulting savings used to sponsor the creation of schools for children of the German minority or to create barracks for German troops. 23 25 Most of the important art møte bøsse gutter tantra massasje stavanger pieces had been "secured" by the Nazis within six months of September 1939; by the end of 1942, German officials estimated that "over 90" of the art previously in Poland was in their possession. 228 a b c Madajczyk 1970,. .

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56 The only officially available reading matter was the propaganda press that was disseminated by the German occupation administration. The Soviet Union had to temporarily give up the territorial gains it made in 1939 due to the German invasion of the Soviet Union, but permanently re-annexed much of this territory after winning it back in mid-1944. In their art, they "discovered a new Poland"one forever changed by the atrocities of World War II and the ensuing creation of a communist Poland. Retrieved on March 26, 2008 References edit Anders, Władysław (1995 Bez ostatniego rozdziału (in Polish Lublin: Test, isbn Conway, John. 79 They compiled reports on looted and destroyed works and provided artists and scholars with means to continue their work and their publications and to support their families.