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Retrieved on June 15, 2008 a b Madajczyk 1970,. . 104 The majority of Polish underground presses were located in occupied Warsaw; until the Warsaw Uprising in the summer of 1944 the Germans found over 16 underground printing presses (whose crews were usually executed or sent to concentration camps). 101 Tajne Wojskowe Zakłady Wydawnicze (Secret Military Publishing House) of Jerzy Rutkowski (subordinated to the Armia Krajowa) was probably the largest underground publisher in the world. According to

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some statistics, these couriers were among the underground members most frequently arrested by the Germans. 160161 Salmonowicz 1994,. .

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Stories Behind the Photographs, In: Reportaże z Powstania Warszawskiego (Warsaw Uprising Reportages KAW, Warsaw, 1983. 13 Meanwhile, a compulsory registration scheme for writers and artists was introduced in August 1940. 72 The Soviet propaganda-motivated support for Polish-language cultural activities, however, clashed with the official policy of Russification. 295 a b c d e f g h i Madajczyk 1970,. . 25665 Stoliński, Krzysztof (2004 Supply of money to the Secret Army (AK) and the Civil Authorities in occupied Poland (19391945). 155156 Salmonowicz 1994,. . A b Courtney, Krystyna Kujawinska (2000 "Shakespeare in Poland Shakespeare Around the Globe, Internet Shakespeare Editions, University of Victoria, retrieved a b Salmonowicz 1994,. . Norman Davies wrote in God's Playground : "In 1945, as a prize for untold sacrifices, the attachment of the survivors to their native culture was stronger than ever before." 128 Similarly, close-knit underground classes, from primary schools to universities, were renowned for their high quality. 46 Polish literature faced a similar fate in territories annexed by Germany, where the sale of Polish books was forbidden. 1 2, policies aimed at cultural genocide resulted in the deaths of thousands of scholars and artists, and the theft and destruction of innumerable cultural artifacts.

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100 Books were also sometimes printed. 187 (in Polish) Tajne Wojskowe Zakłady Wydawnicze in wiem Encyklopedia. 106 Writers wrote about the difficult conditions in the prisoner-of-war camps ( Konstanty Ildefons Gałczyński, Stefan Flukowski, Leon Kruczkowski, Andrzej Nowicki and Marian Piechała the ghettos, and even from inside the concentration camps ( Jan Maria Gisges, Halina Gołczowa, Zofia Górska (Romanowiczowa), Tadeusz Hołuj, Kazimierz. 86 Compared to pre-war classes, the absence of Polish Jewish students was notable, as they were confined by the Nazi Germans to ghettos ; there was, however, underground Jewish education in the ghettos, often organized with support from Polish organizations like TON. 23 Over 516,000 individual art pieces were taken, including 2,800 paintings by European painters; 11,000 works by Polish painters; 1,400 sculptures, 75,000 manuscripts, 25,000 maps, and 90,000 books (including over 20,000 printed before 1800 as well as hundreds of thousands of other objects of artistic and historic value. 240 (in Polish Cholewa-Selo, Anna (2005 Muza i Jutrzenka. 56 The only officially available reading matter was the propaganda press that was disseminated by the German occupation administration. 2 Many treasures of Polish culture including memorials, plaques and monuments to national heroes (e.g., Kraków's Adam Mickiewicz monument ) were destroyed. 12 Polish-German cooperation in cultural matters, such as joint public performances, was strictly prohibited. 80 81 Other organizations were created locally; after 1940 they were increasingly subordinated and coordinated by the TON, working closely with the Underground's State Department of Culture and Education, which was created in autumn 1941 and headed by Czesław Wycech, creator of the TON.

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Stjerneportalen escorte real lingam massage bøsse 55 The press was reduced from over 2,000 publications to a few dozen, all censored by the Germans. Independent Poland lasted for sex i homoseksuell senga sex kontakte only 21 years before it was again attacked and divided among foreign powers.
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